فواد فضیله ، علیرضا احمدی ، مهدی قنواتیان ، حمید بناپورغفاری ، بهروز شیربان ، رامین سلمانی ، محمد مهدی مدرس نیا ، یحیی بهمنی ، میثم سید بخشی ، حمیدرضا ولیزاده لادی ، مرتضی قلی زاده ، نازنین بهشتی ، فخرالدین عزیزی کوزه رش ، شکوه هوشمند ، سید ابراهیم موسوی نژاد ، روح ا... آذین ، ف الف ، بهناز فردوسی ، یاشار مهدی زاده ، بهروز بیگلر ، بلال مرادی قره تپه ، محسن مطلع ، مجید منصوری ، سایه ذاکری ، وریا ژولیده ، مطلب کیانی زاد
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This 6,400-square foot home is half-buried in a grassy slope in East Hampton, NY. Photo: Adam Friedberg |
Except for its arching corrugated metal roof, the unadorned modern structure built of concrete and glass barely rises higher than the grassy slope into which its built. More than 3,200 of the four-bedroom homes roughly 6,400 square feet are located in a lower level, making the house appear more than twice as big from the side as it does from the front.
Using subterranean construction to avoid restrictive building codes is a popular option in places like Californias Napa Valley, where home owners burrow underground for more space. But the couple here said their decision wasnt driven by regulations; instead it was their own desire for a pared-down aesthetic.
"I dont think Id want people thinking that was my dream of retirement, to build some monster," said Mr. Stansel, a 65-year-old former mortgage banker who moved into the East Hampton home with his wife this winter. "We didnt want a bunch of expensive decorations on the outside."
On the property, Japanese maple and copper beech trees sit near a planted flat-roofed garage and grass driveway whose wide-set cobblestones look like part of the landscaping. Mr. Stansel took a 1,200-pound glacial rock, which he bought for $2,000 after becoming intrigued by its Alaska history, and trucked it from storage in Portland, Ore. to use outside as a garden feature.
The owners filled the home with pieces chosen by an interior decorator. Photo: Adam Friedberg |
Downstairs, a sitting area and den are lit by three pairs of 9-foot tall glass French doors around a lower courtyard. Mr. Stansels study and a general storage area, however, are in rooms without any direct light.
Architects are seeing more houses with unassuming façades that explode in size when viewed from the back, or homes split into multiple buildings so theyll look less massive, or even homes that New York architect Lee Skolnick calls "McRanchions"—1950s ranch houses given luxury makeovers. "Theres a trend were seeing—its called perceived thrift," said Chris Rose, an architect based in Charleston, S.C. "Its kind of like the ladies going to Bergdorfs and still buying stuff, but putting it in a brown bag."
Mr. Stansel had his fill when it came to towering properties: In 2009, he and Ms. Marek bought Canterbury Castle, a 1930s landmark in Portland, Ore. with a moat, drawbridge and turret, for about $290,000. They were already living in the house next door and bought the site as an investment. The city had deemed the crumbling edifice structurally unsound, clearing the way for the couple to raze it. Some locals were opposed, but the couple considered it unsafe and an eye sore.
At the same time, Mr. Stansel and Ms. Marek were beginning construction on the Long Island house. East Hampton-based architect Maziar Behrooz had come up with a design for the lands previous owner, who was inspired by a photo of an F-16 fighter jet nosing out of an airplane hangar for the buildings shape. Mr. Behrooz dubbed it the Arc House, after the curve of the galvanized aluminum roof. Mr. Stansel was drawn to the homes low-slung profile.
The couple paid $1.25 million for the property down a long road lined with tall pines, and another $2.2 million for the building, Mr. Stansel said. Nearby, in a subdivision with meadows and fields for polo matches, a home is on the market for $2.9 million.
The couple moved to New York because they thought it would make it easier to travel to Europe in their retirement, though they are considering spending the winters in Portland if they dont find a buyer for their property there.
Outside their Long Island home, a memento from their Portland past is now set into the ground. Two heavy stones serve as steps to a soon-to-be-built Zen garden—pieces of the castle they once owned.
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